Golden Artist Colors

Originally made with Buckthorn berries native to the near east, but cultivated in Europe since Roman times. The ripe berries make a pink dye, while the unripe berries produce a yellow juice or...

One of the first synthesized pigments, this deep, nearly black color is alkaline sensitive so not found in acrylic paints. Our modern mixture provides a similar color with great permanence...

A modern mixture replacing the pigment originally produced in the early 1800's by collecting urine from oxen fed only mango leaves. Our version is more permanent, more lightfast, totally humane...

A very deep single-pigment violet that is neutral to slightly red in tone, and moderately transparent color. (Series4) The original line of Golden Artist Colors®, this line of heavy body...

A more blue Turquoise that is a very strong tinting color that reveals cool gem tones in glazing. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

Phthalocyanine is among the strongest tinting pigments available, this green is semi-opaque, with a warmer yellow-green undertone. (Series4) The original line of Golden Artist Colors, this line...

Phthalocyanine is among the strongest tinting pigments available, while semi-opaque in masstone or full strength, it makes very transparent glazes. (Series4) The original line of Golden Artist...

The reddish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo makes beautiful transparent glazes. (Series4) The original line of Golden...

The greenish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo extends beautifully for glazes. (Series4) The original line of Golden...

A semi-opaque mixture of Benzimidazolone Yellow and Phthalo Green, this color is a versatile medium to dark green. (Series 4) The original line of Golden Artist Colors, this line of heavy body...

As the name suggests, this Hansa Yellow offers greater coverage and opacity. It is a synthetic single pigment paint with good opacity and lightfastness. (Series4) The original line of Golden...

Our single-pigment Cobalt Green is deep, slightly bluish green with great opacity and lightfastness. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is...

This is a convenience mixture of Dioxazine Purple and Titanium white that delivers a classic purple tint straight from the tube. (Series3) The original line of Golden Artist Colors, this line of...

A convenient pre-mixed tint of our Turquoise Phthalo. (Ser. 3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality...

A mixture of Benzimidazolone Yellow, Phthalo Green and white, this is a opaque, warmer, medium value green. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics...

A mixture of Benzimidazolone Yellow, Phthalo Green and white, this is a fairly opaque, cooler, medium value green. (Series3) The original line of Golden Artist Colors, this line of heavy body...

Cobalt Violet is a name used for several violet color cobalt pigments. Toxic, costly, and weak, historical Cobalt Violets were replaced by Manganese Violet. Our blend of Dioxazine Purple with...

Van Dyke Brown dates back to the 17th century from the Cologne and Kassel regions of Germany, GOLDEN has captured its rich peat undertone by using Transparent Red Iron Oxide and adding just...

The transparent nature of this pigment give it a beautiful glazing quality that is unique among earth tones. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics...

One of our most popular glazing colors, the brown masstone belies the rich amber-red colors that come through in tints and glazes. (Series3) The original line of Golden Artist Colors, this line...

A lighter vein of the pigment best known for its use in US currency, it is very durable, lightfast and opaque. (Series3) The original line of Golden Artist Colors, this line of heavy body...

A highly intense, permanent acrylic color with a consistency similar to heavy cream, this paint from Golden Artist Colors® offers the pigment strength of Golden heavy body acrylics in a pourable,...

Perfect for acrylic artists interested in trying airbrushing techniques, this medium makes acrylic paint or gessos suitable for spray application, decreasing clogging and tip build-up during...

Perfect for acrylic artists interested in trying airbrushing techniques, this medium makes acrylic paint or gessos suitable for spray application, decreasing clogging and tip build-up during...

A highly intense, permanent acrylic color with a consistency similar to heavy cream, this paint from Golden Artist Colors® offers the pigment strength of Golden heavy body acrylics in a pourable,...

A mixture of titanium white and ultramarine blue pigments for a very opaque light blue. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

Essentially a lighter tint of Quinacridone Magenta, it is a convenient color for artists who want to mix and paint in the pastel color range. (Series2) The original line of Golden Artist Colors,...

A mixture of ultramarine and phthalo blues with a little titanium white created as an affordable approximation of Cobalt blue at full strength, but with very different mixing properties...

A mixture of two Arylide Yellows and Titanium Dioxide, Primary Yellow can be a semi transparent, utility mixer. (Series2) The original line of Golden Artist Colors, this line of heavy body...

Golden's interpretation of cyan is phthalo green-shade with a small amount of titanium white for use as a versatile and affordable mixing blue. (Series2) The original line of Golden Artist...

A modern mixture designed to replicate historical Naples Yellow without the toxicity of lead. The color was one of the earliest synthesize pigments dating back to the 1600's and very popular with...

Historically a very expensive ground lazurite pigment, synthetic pigment has been used since the 1830's making it one of the most popular and affordable blues, Yves Klein blue is mostly...

Named after British painter William Payne (1760-1830), early formulas contained indigo, alizarin lake, and ivory black. Today more commonly a mixture of ultramarine blue and black, it is...

Actual Graphite pigment gives this fairly neutral, single pigment gray a slightly metallic sheen. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

Guignet of Paris patented the process for manufacturing Viridian Green in 1859. The popularity of this bright, exceedingly clear blue-green color led some to believe that it could eventually...

Green earth is best known as the under painting of flesh in medieval painting. To recreate this color GOLDEN blends six different colors, then reduces opacity with gel medium to match all of the...

Transparent color originally made from ground cobalt glass and used in 16th and 17th century European paintings in place of Ultramarine. Historically Smalt loses color over time, but this modern...

Historical azurite, from copper carbonate minerals, lacks the stability and durability required for modern painting, this mixture affordably approximates azurite's deep greenish blue. (Series1)...

Production of the beautiful barium-based pigment ceased in the early 1990's due to environmental and safety concerns, this modern mixture approximates the richness of manganese safely and...

The lightest of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...