Golden Artist Colors

Golden Matte Medium is a pourable medium useful for extending color, decreasing gloss and increasing film integrity. It is also used as a nearly clear ground on canvas instead of gesso.

This liquid medium is useful for extending colors, increasing translucency and decreasing gloss without altering viscosity.

This mixture of violet and red pigment with a touch of Burnt Umber and Titanium white creates a fairly neutral, opaque violet. (Series6) The original line of Golden Artist Colors, this line of...

A darker tint, this paint is conveniently mixed where many painters like to start using Quin Magenta, a 1:1 mixture with Titanium White. (Series6) The original line of Golden Artist Colors, this...

Another single-pigment quinacridone, Primary Magenta is a semi-opaque mixer that bridges red and violet. (Series6) The original line of Golden Artist Colors, this line of heavy body acrylics is...

Guignet of Paris patented the process for manufacturing Viridian Green in 1859. The popularity of this bright, exceedingly clear blue-green color led some to believe that it could eventually...

Green earth is best known as the under painting of flesh in medieval painting. To recreate this color GOLDEN blends six different colors, then reduces opacity with gel medium to match all of the...

Production of the beautiful barium-based pigment ceased in the early 1990's due to environmental and safety concerns, this modern mixture approximates the richness of manganese safely and...

A very deep red-violet, this is single-pigment paint with great lightfastness and durability. (Series6) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

Using a warmer variation of the pigment in our Quinacridone Violet, this red reveals more magenta in tints and is, like all our "Quins" an excellent glazing color. (Series6) The original line of...

'The "Azo" (aye - zoe) is short for Azomethine, Nickel Azo pigment produces a transparent, brownish yellow at full strength but with enormous range. Excellent for creating rich amber glazes or...

Prized for its very deep bluish purple, Dioxazine Purple is a single pigment color with exceptional depth. It is slightly less lightfast and more vulnerable to fading in lighter tints. (Series6)...

On the border of our orange colors, Diarylide Yellow is based on dichlorobenzidine pigment, which offers excellent opacity, lightfastness and durability. (Series6) The original line of Golden...

Golden?« Acrylic Glazing Liquid is a slow-drying acrylic medium originally designed for interior decorative finishes. Blend with artist acrylic paints or house paints to create an incredible...

Golden® Acrylic Glazing Liquid is a slow-drying acrylic medium originally designed for interior decorative finishes. Blend with artist acrylic paints or house paints to create an incredible...

Iridescent Acrylic 2oz Stainless Steel Fine

Iridescent Acrylic 2oz Stainless Steel Coarse

Iridescent Acrylic 2oz Silver

This is a darker variation of our Naphthol Red, serving as an affordable single-pigment alternative to Cadmium Red Medium that is less opaque and lightfast. (Series5) The original line of Golden...

A very bright orange-ish, semi-transparent red, is a synthetic pigment with good lightfastness. It is a good choice as an alternative to Cadmium Red Light. (Series5) The original line of Golden...

Iridescent Acrylic 2oz Pearl Coarse

Iridescent Acrylic 2oz Pearl

Perfect for acrylic artists interested in trying airbrushing techniques, this medium makes acrylic paint or gessos suitable for spray application, decreasing clogging and tip build-up during...

A mixture of pigments designed to replicate Cadmium Yellow with out the heavy metal or it's expense. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is...

Cadmium Red Medium Hue is a more economical and non-toxic alternative to our single pigment paint. It offers brilliant color but it is slightly more transparent and not as lightfast as actual...

Originally made with Buckthorn berries native to the near east, but cultivated in Europe since Roman times. The ripe berries make a pink dye, while the unripe berries produce a yellow juice or...

One of the first synthesized pigments, this deep, nearly black color is alkaline sensitive so not found in acrylic paints. Our modern mixture provides a similar color with great permanence...

A modern mixture replacing the pigment originally produced in the early 1800's by collecting urine from oxen fed only mango leaves. Our version is more permanent, more lightfast, totally humane...

A very deep single-pigment violet that is neutral to slightly red in tone, and moderately transparent color. (Series4) The original line of Golden Artist Colors®, this line of heavy body...

A more blue Turquoise that is a very strong tinting color that reveals cool gem tones in glazing. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

Phthalocyanine is among the strongest tinting pigments available, this green is semi-opaque, with a warmer yellow-green undertone. (Series4) The original line of Golden Artist Colors, this line...

Phthalocyanine is among the strongest tinting pigments available, while semi-opaque in masstone or full strength, it makes very transparent glazes. (Series4) The original line of Golden Artist...

The reddish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo makes beautiful transparent glazes. (Series4) The original line of Golden...

The greenish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo extends beautifully for glazes. (Series4) The original line of Golden...

A semi-opaque mixture of Benzimidazolone Yellow and Phthalo Green, this color is a versatile medium to dark green. (Series 4) The original line of Golden Artist Colors, this line of heavy body...

As the name suggests, this Hansa Yellow offers greater coverage and opacity. It is a synthetic single pigment paint with good opacity and lightfastness. (Series4) The original line of Golden...

Our single-pigment Cobalt Green is deep, slightly bluish green with great opacity and lightfastness. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is...

This is a convenience mixture of Dioxazine Purple and Titanium white that delivers a classic purple tint straight from the tube. (Series3) The original line of Golden Artist Colors, this line of...

A convenient pre-mixed tint of our Turquoise Phthalo. (Ser. 3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality...

A mixture of Benzimidazolone Yellow, Phthalo Green and white, this is a opaque, warmer, medium value green. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics...

A mixture of Benzimidazolone Yellow, Phthalo Green and white, this is a fairly opaque, cooler, medium value green. (Series3) The original line of Golden Artist Colors, this line of heavy body...

Cobalt Violet is a name used for several violet color cobalt pigments. Toxic, costly, and weak, historical Cobalt Violets were replaced by Manganese Violet. Our blend of Dioxazine Purple with...

Van Dyke Brown dates back to the 17th century from the Cologne and Kassel regions of Germany, GOLDEN has captured its rich peat undertone by using Transparent Red Iron Oxide and adding just...

The transparent nature of this pigment give it a beautiful glazing quality that is unique among earth tones. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics...

One of our most popular glazing colors, the brown masstone belies the rich amber-red colors that come through in tints and glazes. (Series3) The original line of Golden Artist Colors, this line...

A lighter vein of the pigment best known for its use in US currency, it is very durable, lightfast and opaque. (Series3) The original line of Golden Artist Colors, this line of heavy body...

A highly intense, permanent acrylic color with a consistency similar to heavy cream, this paint from Golden Artist Colors® offers the pigment strength of Golden heavy body acrylics in a pourable,...

Perfect for acrylic artists interested in trying airbrushing techniques, this medium makes acrylic paint or gessos suitable for spray application, decreasing clogging and tip build-up during...

Perfect for acrylic artists interested in trying airbrushing techniques, this medium makes acrylic paint or gessos suitable for spray application, decreasing clogging and tip build-up during...

A highly intense, permanent acrylic color with a consistency similar to heavy cream, this paint from Golden Artist Colors® offers the pigment strength of Golden heavy body acrylics in a pourable,...

A mixture of titanium white and ultramarine blue pigments for a very opaque light blue. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

Essentially a lighter tint of Quinacridone Magenta, it is a convenient color for artists who want to mix and paint in the pastel color range. (Series2) The original line of Golden Artist Colors,...

A mixture of ultramarine and phthalo blues with a little titanium white created as an affordable approximation of Cobalt blue at full strength, but with very different mixing properties...

A mixture of two Arylide Yellows and Titanium Dioxide, Primary Yellow can be a semi transparent, utility mixer. (Series2) The original line of Golden Artist Colors, this line of heavy body...

Golden's interpretation of cyan is phthalo green-shade with a small amount of titanium white for use as a versatile and affordable mixing blue. (Series2) The original line of Golden Artist...

A modern mixture designed to replicate historical Naples Yellow without the toxicity of lead. The color was one of the earliest synthesize pigments dating back to the 1600's and very popular with...

Historically a very expensive ground lazurite pigment, synthetic pigment has been used since the 1830's making it one of the most popular and affordable blues, Yves Klein blue is mostly...

Named after British painter William Payne (1760-1830), early formulas contained indigo, alizarin lake, and ivory black. Today more commonly a mixture of ultramarine blue and black, it is...

Actual Graphite pigment gives this fairly neutral, single pigment gray a slightly metallic sheen. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

Guignet of Paris patented the process for manufacturing Viridian Green in 1859. The popularity of this bright, exceedingly clear blue-green color led some to believe that it could eventually...

Green earth is best known as the under painting of flesh in medieval painting. To recreate this color GOLDEN blends six different colors, then reduces opacity with gel medium to match all of the...

Transparent color originally made from ground cobalt glass and used in 16th and 17th century European paintings in place of Ultramarine. Historically Smalt loses color over time, but this modern...

Historical azurite, from copper carbonate minerals, lacks the stability and durability required for modern painting, this mixture affordably approximates azurite's deep greenish blue. (Series1)...

Production of the beautiful barium-based pigment ceased in the early 1990's due to environmental and safety concerns, this modern mixture approximates the richness of manganese safely and...

The lightest of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

A very light Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

Lighter than middle value Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

The middle value of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is...

A darker than middle value Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is...

A very dark of our Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

The darkest of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

Some times referred to as "mixing white" Zinc White provides a more transparent white option for mixing and glazing. Series 1 The original line of Golden Artist Colors, this line of heavy body...

Part of the earth tone family, Yellow Oxide's is slightly more opaque than it's neighbors (Yellow Ochre) and less red, but with similar lightfastness and durability. (Series1) The original line...

One of the earliest pigments known to man, ochres are mineral oxides used in colors from the reddish brown to, in this case, yellow-brown range. This very opaque and lightfast color is often...

A reddish iron-oxide pigment is the basis for this brown that has a naturally light brown mass-tone that appears more red as it becomes extended in tints and glazes. (Series1) The original line...

Our most opaque white, made with Titanium Dioxide, this is an essential white for most painters. Series 1 The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

An inorganic pigment, sometimes called Nickel Titanate Yellow, it might be the coolest yellow GOLDEN offers, it is very pale and may show a faint greenish cast. (Series 1) The original line of...

A natural buff Titanium Dioxide pigment, offering very opaque coverage and warm tinting. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

One of the first red pigments known to man, this earth tone is a staple on many artists' palettes. It's incomparably opaque and lightfast, sometimes called Venetian Red, it is warmer than Indian...

Umber is essentially clay, and this variation on the PBr7 pigment is the lighter (un-burnt) version of this classic earth tone that originated in the Umbria region of Italy. (Series1) The...

Natural Iron-Oxide is the basis for this single-pigment color, named after the region in Italy where it was first mined. Raw Sienna retains more of its yellowish color because is created prior to...

The higher iron content in this single pigment paint gives it more of a reddish brown quality, clearly on the fringe it retains just enough of the amber tone to be included in the yellow family...

Somewhat warmer than Carbon Black, made with black iron oxide. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

Produced with soot from burning gas the dark and fine particle size makes this our darkest most neutral black. (Series1) The original line of Golden Artist Colors, this line of heavy body...

This is the lighter of our two Burnt Umber paints, with good opacity it extends and tints to a warm to neutral beige color. (Series1) The original line of Golden Artist Colors, this line of heavy...

A classic umber color, GOLDEN's Burnt Umber provides the deep brown earth tone that painters have used for centuries. (Series1) The original line of Golden Artist Colors, this line of heavy body...

Additional heating, or firing of the natural earth pigment creates the darker variation of a classic Sienna earth color. (Series1) The original line of Golden Artist Colors, this line of heavy...

A warmer black, its name comes from the use of charred animal bone, as a pigment. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters...

Interference fluid colors feature varying colors when viewed from different perspectives; they flip between a bright opalescent color and its opalescent complement when applied over white...

Interference fluid colors feature varying colors when viewed from different perspectives; they flip between a bright opalescent color and its opalescent complement when applied over white...

Interference fluid colors feature varying colors when viewed from different perspectives; they flip between a bright opalescent color and its opalescent complement when applied over white...

Interference fluid colors feature varying colors when viewed from different perspectives; they flip between a bright opalescent color and its opalescent complement when applied over white...

Interference fluid colors feature varying colors when viewed from different perspectives; they flip between a bright opalescent color and its opalescent complement when applied over white...

This iridescent color creates a highly reflective, metallic variation when mixed with Golden colors, so you can paint truly stunning, unique works of art. A highly intense, permanent acrylic...

This iridescent color creates a highly reflective, metallic variation when mixed with Golden colors, so you can paint truly stunning, unique works of art. A highly intense, permanent acrylic...

This iridescent color creates a highly reflective, metallic variation when mixed with Golden colors, so you can paint truly stunning, unique works of art. A highly intense, permanent acrylic...

This iridescent color creates a highly reflective, metallic variation when mixed with Golden colors, so you can paint truly stunning, unique works of art. A highly intense, permanent acrylic...