Paints

Excellent lightfast and permenant yellow. (Series 3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an exceptionally smooth, thick, buttery...

A lighter vein of the pigment best known for its use in US currency, it is very durable, lightfast and opaque. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

Cobalt Violet is a name used for several violet color cobalt pigments. Toxic, costly, and weak, historical Cobalt Violets were replaced by Manganese Violet. Our blend of Dioxazine Purple with Quinacridones and Zinc White, recreates the subtle yet...

A mixture of Benzimidazolone Yellow, Phthalo Green and white, this is a fairly opaque, cooler, medium value green. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

A convenient pre-mixed tint of our Turquoise Phthalo. (Ser. 3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an exceptionally smooth, thick, buttery...

This is a convenience mixture of Dioxazine Purple and Titanium white that delivers a classic purple tint straight from the tube. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

A mixture of Phthalo Blue and Green with Titanium White for a strong tinting, opaque, Teal. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an...

A mixture of Transparent Red Iron Oxide and Carbon Black, this transparent color has a very dark masstone that tints and glazes to a rich gold-brown. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

One of our most popular glazing colors, the brown masstone belies the rich amber-red colors that come through in tints and glazes. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking...

The transparent nature of this pigment give it a beautiful glazing quality that is unique among earth tones. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

Van Dyke Brown dates back to the 17th century from the Cologne and Kassel regions of Germany, GOLDEN has captured its rich peat undertone by using Transparent Red Iron Oxide and adding just enough Carbon Black to create a clean sepia tone. (Series3)...

A mixture of ultramarine and phthalo blues with a little titanium white created as an affordable approximation of Cobalt blue at full strength, but with very different mixing properties. (Series2) The original line of Golden Artist Colors, this line...

Actual Graphite pigment gives this fairly neutral, single pigment gray a slightly metallic sheen. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint...

Essentially a lighter tint of Quinacridone Magenta, it is a convenient color for artists who want to mix and paint in the pastel color range. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

A mixture of titanium white and ultramarine blue pigments for a very opaque light blue. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an...

A modern mixture designed to replicate historical Naples Yellow without the toxicity of lead. The color was one of the earliest synthesize pigments dating back to the 1600's and very popular with the old masters. (Series2) The original line of Golden...

Named after British painter William Payne (1760-1830), early formulas contained indigo, alizarin lake, and ivory black. Today more commonly a mixture of ultramarine blue and black, it is considered easier to control and less intense than black as a...

Golden's interpretation of cyan is phthalo green-shade with a small amount of titanium white for use as a versatile and affordable mixing blue. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

A mixture of two Arylide Yellows and Titanium Dioxide, Primary Yellow can be a semi transparent, utility mixer. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

Historically a very expensive ground lazurite pigment, synthetic pigment has been used since the 1830's making it one of the most popular and affordable blues, Yves Klein blue is mostly Ultramarine. (Series2) The original line of Golden Artist...

A reddish iron-oxide pigment is the basis for this brown that has a naturally light brown mass-tone that appears more red as it becomes extended in tints and glazes. (Series1) The original line of Golden Artist Colors, this line of heavy body...

Historical azurite, from copper carbonate minerals, lacks the stability and durability required for modern painting, this mixture affordably approximates azurite's deep greenish blue. (Series1) The original line of Golden Artist Colors, this line of...

A warmer black, its name comes from the use of charred animal bone, as a pigment. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an...

This is the lighter of our two Burnt Umber paints, with good opacity it extends and tints to a warm to neutral beige color. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

Mixture of Phthalo Blue and Titanium White. (Series 1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an exceptionally smooth, thick, buttery consistency...

Somewhat warmer than Carbon Black, made with black iron oxide. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an exceptionally smooth, thick,...

The higher iron content in this single pigment paint gives it more of a reddish brown quality, clearly on the fringe it retains just enough of the amber tone to be included in the yellow family. (Series1) The original line of Golden Artist Colors,...

The middle value of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality...

The darkest of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint...

A very dark of our Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with...

A darker than middle value Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality...

Lighter than middle value Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with...

A very light Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an...

The lightest of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint...

Natural Iron-Oxide is the basis for this single-pigment color, named after the region in Italy where it was first mined. Raw Sienna retains more of its yellowish color because is created prior to the heating process that creates "burnt" sienna...

Umber is essentially clay, and this variation on the PBr7 pigment is the lighter (un-burnt) version of this classic earth tone that originated in the Umbria region of Italy. (Series1) The original line of Golden Artist Colors, this line of heavy body...

One of the first red pigments known to man, this earth tone is a staple on many artists' palettes. It's incomparably opaque and lightfast, sometimes called Venetian Red, it is warmer than Indian or English Red. (Series1) The original line of Golden...

Transparent color originally made from ground cobalt glass and used in 16th and 17th century European paintings in place of Ultramarine. Historically Smalt loses color over time, but this modern formula offers a classic deep blue that is permanent...

Green earth is best known as the under painting of flesh in medieval painting. To recreate this color GOLDEN blends six different colors, then reduces opacity with gel medium to match all of the properties of historical Terra Verte. (Series1) The...

A natural buff Titanium Dioxide pigment, offering very opaque coverage and warm tinting. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an...