Awagami

Mulberry Thick paper is exceptionally strong making it ideal for mixed media, all types of printmaking, drawing, papercrafts/collage and bookbinding/book-arts. Paper is acid-free, 52gsm and has two deckled edges. Rolls are made of 20% Kozo and 80%...

Each 20-sheet pack contains two 8" x 10" sheets each of the ten Awagami Editioning papers: Kitakata, Kitakata Green, Kitakata Select, Bunkoshi Select, Hosho Select, Okawara Select, Kozo Natural Select, Hakuho Select, Shiramine Select and Bamboo...

This sturdy sheet is made from an impressive blend of kozo and cotton; and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to art...

Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block printing and letterpress. Seventy percent bamboo...

Primarily composed of Gampi fiber, Kitakata Select is a heavier weight version of the original Kitakata washi. This version has the subtle gloss, nice density and soft surface that printmakers have come to love from Kitakata.

This paper is crafted from 80% long-fibered Kozo making it an exceptionally strong yet pliable paper. Kozo Natural Select's suppleness makes it suitable for a wide variety of applications including intaglio, mixed media works, bookbinding and art...

Ginwashi is 39 gsm with cut edges, machine-made of manila hemp and kozo with short silver and natural fibers set in a creamy, natural background with silvery fibers. This paper is commonly used in printmaking, painting, and digital printing. It is...

Kinwashi (also known as Ogura Natural) is 55 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper with golden fibers. Heavier than Ginwashi, it is great for printing and...

Mingeishi refers to folk craft paper, or all-purpose paper. Mould made of 70% Alpha Cellulose Pulp and 30% Kozo, Mingeishi is acid-free with four deckle edges and a laid finish. Available in white, bright white, and natural. As the name implies, it is...

Mulberry is mould made of kozo and sulphite pulp, white and acid-free, and its strength, softness and flexibility make it the most versatile sheet for printers and printmakers. This paper is is good for relief printing, silkscreen, hand lithography,...

The relative thickness, generous sizing and easy-to-use color of Shiramine Select makes it a versatile paper for many art mediums including printmaking, painting and drawing. 30% Kozo, 15% Hemp and 55% High Alpha Cellulose.

This paper has a relatively deep natural color and smooth surface. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy.

Okawara is a relatively thick Japanese paper that is used in book arts, printmaking, and conservation. It is handmade of kozo and hemp fiber. Also ideal for brush painting and conservation work.

Okawara is a relatively thick Japanese paper that is used in book arts, printmaking, and conservation. It is handmade of kozo and hemp fiber. Also ideal for brush painting and conservation work.

The relative thickness, generous sizing and easy-to-use color of Shiramine Select makes it a versatile paper for many art mediums including printmaking, painting and drawing. 30% Kozo, 15% Hemp and 55% High Alpha Cellulose.

The striped laid lines are a unique characteristic of this high quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints.

Primarily composed of Gampi fiber, Kitakata Select is a heavier weight version of the original Kitakata washi. This version has the subtle gloss, nice density and soft surface that printmakers have come to love from Kitakata.

Primarily composed of Gampi fiber, Kitakata Select is a heavier weight version of the original Kitakata washi. This version has the subtle gloss, nice density and soft surface that printmakers have come to love from Kitakata.