Golden Artist Colors

Genuine Cobalt Teal, excellent lightfastness and permanance. (Series 7) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

Mixture of Mars Red and Titanium White. (Series 1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with...

Very light tint of Bismuth Vandate Yellow. (Series 4) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint...

Pale green mixture based on Titanium White. (Series 1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint...

Mixture of Phthalo Blue and Titanium White. (Series 1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality paint...

Excellent lightfastness, bright and transparent yellow (Series 3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for...

Excellent lightfast and permenant yellow. (Series 3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality...

Part of the earth tone family, Yellow Oxide's is slightly more opaque than it's neighbors (Yellow Ochre) and less red, but with similar lightfastness and durability. (Series1) The original line...

A mixture of Transparent Red Iron Oxide and Carbon Black, this transparent color has a very dark masstone that tints and glazes to a rich gold-brown. (Series3) The original line of Golden Artist...

Using a warmer variation of the pigment in our Quinacridone Violet, this red reveals more magenta in tints and is, like all our "Quins" an excellent glazing color. (Series6) The original line of...

The pigment in our Pyrrole Red, PR254, is also used in automotive finishes because it is exceptionally lightfast, and a very clean, bright red. (Series8) The original line of Golden Artist...

A deeper orange with Vermillion qualities, Pyrrole has very good lightfast qualities even in tints and glazes. (Series8) The original line of Golden Artist Colors, this line of heavy body...

This mixture of violet and red pigment with a touch of Burnt Umber and Titanium white creates a fairly neutral, opaque violet. (Series6) The original line of Golden Artist Colors, this line of...

A darker tint, this paint is conveniently mixed where many painters like to start using Quin Magenta, a 1:1 mixture with Titanium White. (Series6) The original line of Golden Artist Colors, this...

The higher iron content in this single pigment paint gives it more of a reddish brown quality, clearly on the fringe it retains just enough of the amber tone to be included in the yellow family...

This is a convenience mixture of Dioxazine Purple and Titanium white that delivers a classic purple tint straight from the tube. (Series3) The original line of Golden Artist Colors, this line of...

A mixture of titanium white and ultramarine blue pigments for a very opaque light blue. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

A convenient pre-mixed tint of our Turquoise Phthalo. (Ser. 3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters looking for professional-quality...

A mixture of Benzimidazolone Yellow, Phthalo Green and white, this is a opaque, warmer, medium value green. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics...

This line of heavy body acrylics from Golden Artist Colors® is perfect for painters looking for professional-quality paint with an iridescent effect. Each color achieves its reflective properties...

This line of heavy body acrylics from Golden Artist Colors® is perfect for painters looking for professional-quality paint with an iridescent effect. Each color achieves its reflective properties...

This line of heavy body acrylics from Golden Artist Colors® is perfect for painters looking for professional-quality paint with an iridescent effect. Each color achieves its reflective properties...

This line of heavy body acrylics from Golden Artist Colors® is perfect for painters looking for professional-quality paint with an iridescent effect. Each color achieves its reflective properties...

This line of heavy body acrylics from Golden Artist Colors® is perfect for painters looking for professional-quality paint with an iridescent effect. Each color achieves its reflective properties...

This line of heavy body acrylics from Golden Artist Colors® is perfect for painters looking for professional-quality paint with an iridescent effect. Each color achieves its reflective properties...

Cobalt Violet is a name used for several violet color cobalt pigments. Toxic, costly, and weak, historical Cobalt Violets were replaced by Manganese Violet. Our blend of Dioxazine Purple with...

Historical azurite, from copper carbonate minerals, lacks the stability and durability required for modern painting, this mixture affordably approximates azurite's deep greenish blue. (Series1)...

Actual Graphite pigment gives this fairly neutral, single pigment gray a slightly metallic sheen. (Series2) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

A deep, opaque Cobalt-based turquoise, this paint is very green in the masstone and reveals more blue in its undertone and glazes. (Ser. 8) The original line of Golden Artist Colors, this line of...

The same pigment originally used in the green of US currency, it is a very durable, lightfast and opaque color. (Series3) The original line of Golden Artist Colors, this line of heavy body...

Filling in the deepest, more orange end of GOLDEN's Cadmium Yellow family, this paint offers the opacity and intensity you expect from Cadmium colors. (Series7) The original line of Golden Artist...

The lightest variation of our single-pigment Cadmium Reds, this color is highly regarded for its opacity and intensity. It is a synthesized color first used in the early 1900's. (Series9) The...

Some times referred to as "Perinone" Orange, can be used as substitute for Cadmium, Vat Orange is redder and darker than Cadmium orange. (Series8) The original line of Golden Artist Colors, this...

The transparent nature of this pigment give it a beautiful glazing quality that is unique among earth tones. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics...

An excellent substitute for Cadmium Red Light, Pyrrole Red Light produces a very clean red that is slightly less opaque and more orange than the Cadmium. (Ser. 8) The original line of Golden...

Clean, dark and rich, this beautiful organic red pigment fills the space between Cadmium Red Dark and Medium. It is a non-toxic, higher chroma alternative to Cadmium Red Dark that can be used for...

This mixture of Anthraquinone Blue and Quinacridone Magenta is a very deep reddish violet with the best qualities of these two pigments. (Series7) The original line of Golden Artist Colors, this...

The lightest of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

A very light Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

Lighter than middle value Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

A very dark of our Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

A mixture of Benzimidazolone Yellow, Phthalo Green and white, this is a fairly opaque, cooler, medium value green. (Series3) The original line of Golden Artist Colors, this line of heavy body...

Transparent color originally made from ground cobalt glass and used in 16th and 17th century European paintings in place of Ultramarine. Historically Smalt loses color over time, but this modern...

As the name suggests, this Hansa Yellow offers greater coverage and opacity. It is a synthetic single pigment paint with good opacity and lightfastness. (Series4) The original line of Golden...

Our single-pigment Cobalt Green is deep, slightly bluish green with great opacity and lightfastness. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is...

Inspired by the flower native to Western Europe, this is the palest of four single pigment [PY35] Cadmium Yellows offered by GOLDEN. (Series 7) The original line of Golden Artist Colors, this...

This is the lighter of our two Burnt Umber paints, with good opacity it extends and tints to a warm to neutral beige color. (Series1) The original line of Golden Artist Colors, this line of heavy...

A darker than middle value Neutral Gray, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is...

A mixture of Phthalo Blue and Green with Titanium White for a strong tinting, opaque, Teal. (Series3) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

The original line of Golden Artist Colors®, this line of heavy body acrylics is perfect for painters looking for professional-quality paint with an exceptionally smooth, thick, buttery...

This is a darker variation of our Naphthol Red, serving as an affordable single-pigment alternative to Cadmium Red Medium that is less opaque and lightfast. (Series5) The original line of Golden...

One of our most popular glazing colors, the brown masstone belies the rich amber-red colors that come through in tints and glazes. (Series3) The original line of Golden Artist Colors, this line...

One of the first red pigments known to man, this earth tone is a staple on many artists' palettes. It's incomparably opaque and lightfast, sometimes called Venetian Red, it is warmer than Indian...

The color of night sky or shadows, very dark, reddish, semi-opaque blue with strong tinting, also known as Indanthrone. A versatile alternative to Ultramarine yet not as overpowering as Phthalo...

A very deep red-violet, this is single-pigment paint with great lightfastness and durability. (Series6) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

The middle value of our Neutral Grays, precisely matched to Munsell Gray for artists exploring values. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is...

Cadmium Red Medium became the most widely used red shortly after it was synthesized in 1907 because it offered greater permanence and intensity than the mostly plant-based reds used up to that...

Our darkest Cadmium Red, it offers good opacity and clean color that bridges red and maroon, with excellent lightfastness. (Series9) The original line of Golden Artist Colors, this line of heavy...

An exceptionally durable pigment, and costly, the unique depth and intensity of this blue inspired Van Gogh, Renoir and countless other artists. (Series8) The original line of Golden Artist...

Prized by artists for its brilliant and lightfast qualities, the Cadmium pigment requires careful handling for artist health and safety. (Series8) The original line of Golden Artist Colors, this...

A transparent "quin," this single pigment color is a terrific start for brilliant reds and pinks as well as fiery glazes that are exactly what one associates with magenta. (Series7) The original...

A rich, warm, green blend created by GOLDEN for painter and abstract phenomenist Paul Jenkins. (Series7) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

A mixture of green and yellow prized for its warm jewel tones and glazing. This is among the most popular colors in the GOLDEN palette. (Series7) The original line of Golden Artist Colors, this...

Like all Cadmium Yellows, this is a bright clean color with good opacity, however the sensitivity to ultra-violet light and moisture prevent us from recommending it for outdoor use. (Series7) The...

On the lighter end of GOLDEN's Cadmium Yellow offering, this yellow is slightly more intense than Primrose with good covering power. (Series7) The original line of Golden Artist Colors, this line...

Another single-pigment quinacridone, Primary Magenta is a semi-opaque mixer that bridges red and violet. (Series6) The original line of Golden Artist Colors, this line of heavy body acrylics is...

On the border of our orange colors, Diarylide Yellow is based on dichlorobenzidine pigment, which offers excellent opacity, lightfastness and durability. (Series6) The original line of Golden...

Hookers Green was originally a mixture of Prussian Blue and Gamboge before a single pigment Hookers was developed. We re-created this color using Anthraquinone Blue, Nickel Azo Yellow and Quin...

A modern version of historical Alizarin Crimson, which was a substitute for Rose Madder, a dye use for the British Red Coats. Our mix of quinacridone and phthalo make this exceptionally lightfast...

A modern mixture designed to replicate historical Naples Yellow without the toxicity of lead. The color was one of the earliest synthesize pigments dating back to the 1600's and very popular with...

A mixture of pigments designed to replicate Cadmium Yellow with out the heavy metal or it's expense. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is...

Cadmium Red Medium Hue is a more economical and non-toxic alternative to our single pigment paint. It offers brilliant color but it is slightly more transparent and not as lightfast as actual...

Phthalocyanine is among the strongest tinting pigments available, this green is semi-opaque, with a warmer yellow-green undertone. (Series4) The original line of Golden Artist Colors, this line...

The reddish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo makes beautiful transparent glazes. (Series4) The original line of Golden...

The greenish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo extends beautifully for glazes. (Series4) The original line of Golden...

A semi-opaque mixture of Benzimidazolone Yellow and Phthalo Green, this color is a versatile medium to dark green. (Series 4) The original line of Golden Artist Colors, this line of heavy body...

Golden's interpretation of cyan is phthalo green-shade with a small amount of titanium white for use as a versatile and affordable mixing blue. (Series2) The original line of Golden Artist...

One of the first synthesized pigments, this deep, nearly black color is alkaline sensitive so not found in acrylic paints. Our modern mixture provides a similar color with great permanence...

A modern mixture replacing the pigment originally produced in the early 1800's by collecting urine from oxen fed only mango leaves. Our version is more permanent, more lightfast, totally humane...

A more blue Turquoise that is a very strong tinting color that reveals cool gem tones in glazing. (Series4) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

Some times referred to as "mixing white" Zinc White provides a more transparent white option for mixing and glazing. Series 1 The original line of Golden Artist Colors, this line of heavy body...

One of the earliest pigments known to man, ochres are mineral oxides used in colors from the reddish brown to, in this case, yellow-brown range. This very opaque and lightfast color is often...

Our most opaque white, made with Titanium Dioxide, this is an essential white for most painters. Series 1 The original line of Golden Artist Colors, this line of heavy body acrylics is perfect...

A natural buff Titanium Dioxide pigment, offering very opaque coverage and warm tinting. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for...

Umber is essentially clay, and this variation on the PBr7 pigment is the lighter (un-burnt) version of this classic earth tone that originated in the Umbria region of Italy. (Series1) The...

Natural Iron-Oxide is the basis for this single-pigment color, named after the region in Italy where it was first mined. Raw Sienna retains more of its yellowish color because is created prior to...

Produced with soot from burning gas the dark and fine particle size makes this our darkest most neutral black. (Series1) The original line of Golden Artist Colors, this line of heavy body...

Additional heating, or firing of the natural earth pigment creates the darker variation of a classic Sienna earth color. (Series1) The original line of Golden Artist Colors, this line of heavy...

A warmer black, its name comes from the use of charred animal bone, as a pigment. (Series1) The original line of Golden Artist Colors, this line of heavy body acrylics is perfect for painters...

Van Dyke Brown dates back to the 17th century from the Cologne and Kassel regions of Germany, GOLDEN has captured its rich peat undertone by using Transparent Red Iron Oxide and adding just...

Guignet of Paris patented the process for manufacturing Viridian Green in 1859. The popularity of this bright, exceedingly clear blue-green color led some to believe that it could eventually...

Green earth is best known as the under painting of flesh in medieval painting. To recreate this color GOLDEN blends six different colors, then reduces opacity with gel medium to match all of the...