Papers, Pads, & Rolls

Intended for use with charcoal or pastels, but also excellent for use with pencil or oil crayon, this pad is ideal for use by students and professionals. Whether for quick studies or for finished pieces, the durable surface holds up under layering or...

This natural white paper has a traditional laid finish which is an ideal foundation for charcoal and pastel. The strong hard surface is also suitable for oil pastel and crayon.

Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel. One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most...

Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors...

Economical, 25 lb. tracing paper with a fine surface, highly transparent. Fifty sheets per cloth-bound pad.

Tracing paper is an incredibly useful surface, ideal for layouts, sketches, delicate drawings and of course tracing. This paper has a fine, highly transparent surface.

Artists, designers, scientists and architects have an intense devotion to this pad. Perfect for on-the-go use, it has a stiff back cover and a staple-bound, scored front cover that folds back, conveniently out of the way while you work. Inside, the...

These sheets of watercolor paper are superior quality, mold-made papers from the Arjomari Mills of France. This watercolor sheet features a traditional natural white color with four deckle edges and a watermark.

The highest quality watercolor sheet in traditional natural white color. Cylinder mould made in France of 100% cotton with natural gelatin sizing. Flawless textured surfaces of cold-press, hot-press and rough with four deckle edges and a watermark...

This economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt ( top) side is cold press the most popular surface for most...

This sketch paper has been toned specifically for use with light and dark media. The pads contain 80 lb. (118 gsm) medium-surface sketch paper appropriate for graphite, chalk, charcoal, sketching stick, marker, china marker, colored pencil, pen and...

This paper has a relatively deep natural color and smooth surface. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy.

A heavier weight natural-toned newsprint for practicing sketching and drawing.

This synthetic paper made of 100% polypropylene offers a unique alternative to traditional art papers. Waterproof and stain-resistant, it is exceptionally strong, durable and will not buckle or tear. It is acid-free, archival and has a smooth, bright...

Okawara is a relatively thick Japanese paper that is used in book arts, printmaking, and conservation. It is handmade of kozo and hemp fiber. Also ideal for brush painting and conservation work.

Okawara is a relatively thick Japanese paper that is used in book arts, printmaking, and conservation. It is handmade of kozo and hemp fiber. Also ideal for brush painting and conservation work.

Grafix Dura-Lar® is the Acetate alternative. This polyester film combines the best features of Mylar® and Acetate to provide a highly versatile film. Will not tear, absorb moisture or discolor with age, Heat resistant, Dimensionally...

Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silk screening, Stonehenge works well with colored pencil, charcoal, pastels and...

Crafted in a European mill that has been making fine art papers since 1618, these watercolor paper blocks are made with papermaking machines that are able to operate at very slow speeds, creating a sheet that shares the strength and quality...

Crafted in a European mill that has been making fine art papers since 1618, these watercolor paper blocks are made with papermaking machines that are able to operate at very slow speeds, creating a sheet that shares the strength and quality...

The relative thickness, generous sizing and easy-to-use color of Shiramine Select makes it a versatile paper for many art mediums including printmaking, painting and drawing. 30% Kozo, 15% Hemp and 55% High Alpha Cellulose.

110 lb. opaline board for drawing, decoration, translucent cards, color prints and visiting cards. In a 19" x 24" sheet.

Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors...

Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors...

Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors...

An economical tracing paper for use with markers, pencils and crayons. Fifty sheets per pad.

Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel. One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most...

This natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb...

These sheets of watercolor paper are superior quality, mold-made papers from the Arjomari Mills of France. This watercolor sheet features a traditional natural white color with four deckle edges and a watermark.

Black Artagain Pad - 400 Series - 6" x 9"

Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors...

These pads feature acid-free printmaking paper sheets that are ideally suited for relief printing, such as block or linocut. Also ideal for proofing and practicing. The 120 gsm, medium-textured natural white paper is strong and durable, yet soft...

Marker Paper Pad - 400 Series - 6" x 8"

Colored Pencil Pad - 400 Series - 6" x 8"

These sketch pads feature 50 lb. micro-perforated, opaque sheets with medium tooth. Media can be easily blended and erased well on the paper surface. Combining performance with value, they were designed to appeal to beginners and students...

Made of 100% cotton, these archival sheets are dual-sided with both smooth and medium toothed surfaces, and have deckled edges. They are luxurious and versatile and can be used for printmaking, drawing or multi-media. Available in 25 sheet packs...

The acetate alternative! Dura-Lar is a superb alternative to traditional acetate, it combines the best features of both mylar and acetate. Consistent in color and clarity, it won't discolor, crack, curl or become brittle with age. Acid-free and...

This heavy-weight 246 lb. paper features a linen finish making it great for acrylic painting. Each tape-bound pad contains 10 acid-free sheets.

The striped laid lines are a unique characteristic of this high quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints.